Beth Skwarecki

Science & Miscellanea blog

I will finish with nothing less than the gold medal.
The Knitting Olympics Since I haven't done anything truly nutso lately, I figured it was about time for a challenge. For the Knitting Olympics, I'll be casting on during the opening ceremonies (or, um, later that day) and the project will have to be finished by the time the torch goes out.

I found an ugly sweater in a beautiful Shetland wool at the Salvation Army. Actually, it's not that ugly, it just doesn't fit me. But the wool is a variegated multicolor that I think is really gorgeous up close. (from a few feet away, it'll just look like a boring brownish pink. Who cares? I'm never a few feet away from myself.) I'll unravel this yarn as I train for the olympics. I plan on doing a gansey with some sort of stunningly amazing knit/purl pattern. Something like Aberlady, perhaps.

You have to admit, $3 for a sweater-and-then-some worth of yarn is a really good deal. :D

In other news, I've begun learning to spin yarn by hand, on a drop spindle. (pictures coming soon - I'm not happy with my spinning skill yet, but I love the, ahem, "novelty yarns" I've been producing! I get better with each spindleful. So far it's just been wool roving, but I also have some wool/silk top, some silk hankies, and a bag full of pete fur. Pictures coming soon.

UPDATE: here's what I have to do to train for the Olympics:

  • Unravel the salvo sweater. Measure the yarn's weight and, if possible, yardage. Wind some or all of the yarn into balls.

  • Design the sweater. The hard part will be unventing a tesselating pattern, a celtic key pattern, or ... something else. It will be knit/purl and repetitive enough to not require constant reference to a chart. "Designing" includes having some idea of how I will handle the sleeves and neck shaping.

  • Make a gauge swatch. Decide on needles, and if necessary, acquire the needles.

training for the olympics
Knitting Olympics My training is going well. To practice long hours of daunting knitting, I am working on my Aran sweater, which features charts stolen from St. Brigid. It is beautiful, and I think I will actually finish it (someday). I now have 3 complete repeats of the pattern done, on the front of the sweater. It is in Galway Highland Heathers. I'm thinking I'll do a square neck, seam the pieces together in what Alice Starmore insists is the traditional Aran construction, and if the body isn't wide enough, I'll make a little moss stitch panel that I can insert along the sides of the body. Aran sweater in progress

the Freekin Steekin team Somebody made these crazy buttons for the Olympics. I wasn't sure there would be a button for me, but I was heartened to see that there is both a Drunk Lace Team and a Sober Lace Team.

So, I'm on the Freekin' Steekin' team. Since I like to knit in the round, and since I have actual Shetland wool to work with, I am going to cut my first steeks! That's actually the part of the project I'm most looking forward to. NON-KNITTERS: wondering what a steek is? It's when you brutally chop up a piece of perfectly good knitting with scissors. Say, for armholes. It is a barbaric and cruel practice. However, using Shetland wool makes it a little less barbaric, because Shetland wool is, for some reason, loath to unravel. (When the Norwegians do steeks, they machine-sew on both sides, since their sheep don't given them Shetland wool).

Shetland sweater being unraveled I bought an ordinary-looking sweater at the Salvation Army because it was wool. What caught my eye, out of all the wool sweaters there (and there were several) was the label: "Shetland 100% wool". I didn't understand. Was that the same thing as 100% shetland wool? For $3, I figured it was worth a try.

Shetland wool, judging from the skeins I'd seen at the Local Yarn Shop, has a particular rough feel to it. This sweater had that rough feel. I separated the pieces of the sweater (front, back, two sleeves) - fortunately it had been knitted in separate pieces that had been seamed together. Some machine-made sweaters are cut out of sheets of fabric, which is no good because you can't get a continuous strand of yarn. As I wrapped the yarn around a chair back, I noticed a few things:


  • The yarn has two plies, and is a delicate fingering weight. Hmmm.

  • If I drop the end of the yarn (like if I come to a hole in the sweater), the yarn does not all come undone from its skein on the chair back. It just ... sticks to itself. And sits there.

  • The wool seems to have a very short staple length - it's easy to break. It may also be worn thin in some places.

  • The sweater is more worn than I had thought. It has several holes. Some of them have been patched badly. Sweater owners of the world, when you get a hole, consider darning the knitting. If you must sew with thread, do it carefully. No matter how tempting it is to load the needle with thread and go STAB STAB STAB until you have a gigantic tangle of thread embedded in your knitting.

  • Who am I kidding? I sew by the STAB STAB STAB method too.





changing horses in mid-stream
Take a look at these two partial sweaters.
St. Brigid and Miss Gansey

On the left, weighing in at 7,566 stitches and 532 cable crossings, is my interpretation of St Brigid. I started this sweater before the Olympics.

On the right, weighing in at 12,276 stitches, is my Olympic project, a gansey. I started it at the Knitting Etc cast-on party.

The gansey, I'm sad to say, hurts like hell. I can't work long hours on such tiny needles without my hands being sore the next day. I've tried different hand positions, but I am, officially, out of this event because of an injury. If I continued with this gansey, I would be setting myself up for failure. This is against the rules. So, I'm swapping these projects: St. Brigid will be my olympic sweater, and Miss Gansey will be a finish-on-my-own-time thing.

The original St. Brigid, which I'm adapting to my own nefarious ways, goes a little something like this.
olympic update
I've finished the front and back of St. Brigid, and I've started a sleeve.
in progress

Cabling knotwork isn't hard, but sometimes I find it tedious. Fortunately, there are plenty of exciting moments, like when I realized I'd cabled the wrong way about, oh, six rows ago:
fixing a cable

You can fix cables by dropping stitches down and crocheting them back up - you just have to remember to swap them when appropriate on the way back.

So, here is one more photo of the prettiest sweater in the world: st brigid close-up

(Same sweater, worse lighting. The yarn is Galway in a heathered forest green.) It's St. Brigid from Alice Starmore's Aran Knitting. That's a wonderful book that manages to be out of print while the author is still alive and the book sells for $300 used. What the heck?
blocking, repairing, making good time
Remember what I said in the last post about blocking (summary: it's magic)? Well, check this out:

before and after blocking

That's the front and back of St. Brigid - the back (on the left) is being wet-blocked, and the front (on the right) is still dry. Looks like I will have no worries about the sweater coming out too small. (Did I mention I didn't do a gauge swatch?)

dropping back 15 rows to fix a cable OK, now remember what I said in the post before last about dropping back a few rows to fix a cable? Try FIFTEEN ROWS. No, really! Try it! Knit up a cabled swatch if you like, then drop out a bunch of stitches and prove to yourself you can pick them back up. If you can knit, you can figure it out. The only real challenge is resisting the urge to have a heart attack.

Progress: front and back done and currently blocking; first sleeve almost done. One more sleeve to go.

Yarn status: outlook is good for finishing the sweater with yarn left over. (I started with 7 skeins of Galway). If I have enough yarn and time, I'll do a pair of fingerless mitts as a victory lap, because I want to look as cool as this chick with mitts that match my sweater.

Distractions: designing my own celtic knotwork cable charts, since good non-copyrighted ones are scarce. Not that I have time to knit another knotwork sweater..
heading for the finish line
It took all night, but now I have two sleeves! These will go nicely with the front and back I already knitted.

both sleeves blocking

The strips at the top of the sleeve are for the saddle shoulder, which means that the center braid will run all the way up to the neckline. You can see another sweater that uses this technique here. That sweater ("Cromarty" from an Alice Starmore book that is actually still in print) has a larger pattern on the saddle, but it's the same idea.

And another shot of the sleeve pattern:
st brigid sleeve pattern
Team Beth wins gold!
It was a close race, but I finished it!

St Brigid, back

St Brigid, front

Everything was going smoothly until I had all the pieces seamed together and decided to try it on. It seems I had forgotten the First Rule of Sweater Design:

No matter what kind of neckline you think you are putting on your sweater, your first attempt will always look like Flashdance.


By some bizarre coincidence, the neckline was screwed up in exactly the right way that I could fix it by adding the braided collar called for in the original pattern. (I didn't add the ribbing on top of it - but that might be an option for later).

I'm really happy with this sweater. It came out to just the right width and length in the body (I really wasn't sure of that). The sleeves are kinda loose, but they don't bother me. I finished with a whole skein of yarn to spare, even after making the matching fingerless mitts that I mentioned :)

Pattern: "St Brigid" from Aran Knitting by Alice Starmore. The book is out of print, but TCPL has a copy.

Modifications: I only had a xerox of the cable charts to work from, so everything else I just made up. Mainly, I made the body a lot narrower and shorter than what I saw in the picture. No fringe, no moss stitch panels. My gauge is probably a lot looser than the original.

Yarn: Galway in a heathered forest green. I really like Galway - it's a plain worsted wool, similar to Patons Classic or Cascade 220, but to me it feels softer and smoother than either of those. And I love the heathered colors. It was perfect for this project. I used 6 100-gram balls, which is about 1200 yards for the sweater, and another 100 or so for the mitts.

Needles: straight bamboo #8's. I usually don't work with straight needles, but I have to admit that cable patterns are easiest to deal with when knitted flat. I can rest the end of the needle against my leg or the couch when I'm cabling, so the needle can't drop out of the stitches. I like bamboo for the same reason: it's too lightweight to slip easily out of the stitches. And of course I used a hooked cable needle. When I started this project I tried cabling without a needle, which is kind of fun, but I decided it wasn't worth the trouble. Using the needle slowed me down, but it was easier on my hands and had less of a chance of dropping stitches.

I'm not too crazy about the drop-shoulder flat seamed Aran construction, but I'm glad I tried it once. For one thing, I finally figured out how to mattress-stitch with an invisible seam. For another, I now have the proper respect for those seamless sweaters I've knitted :)
DIY st brigid
If you're sick of hearing about knitting, or my sweater, skip this post. If you love it and want one of your own, this is the post for you.

The original St Brigid came from this book. No, actually, the original St Brigid (pronounced "breed") was a celtic goddess, or a catholic nun, depending on who you ask. Same difference. St Brigid's day is at the beginning of february, halfway between the winter solstice and the vernal equinox. Spring is coming, St Brigid travelled the land giving blessings to people who left cake out for her, and if it rained on St Brigid's day, you knew it would be a good summer for farming. Same deal if hedgehogs came out of their holes and were running around. (hmm, sound familiar?)

So, if the goddess/nun story is any indication, St Brigid adapts well. Here she is, in four forms: celtic fertility symbol, sainted nun, Alice Starmore creation, adapted sweater.

sheelagh-na-gigst brigid stained glassstarmore's St Brigidbeth's st brigid adaptation

What follows is detailed instructions on how to make the adapted St. Brigid.
You'll have to click here to read the rest. (Bonus pattern: fingerless mitts)